Making the Impossible Possible: Creating the Rules of Magical and Futuristic Worlds

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This past weekend I had the opportunity to attend Emerald City Comic Con in Seattle. I attended last year and had so much fun, but this year I was pleasantly surprised to see many panels for writers (comic/graphic novel panels, and fantasy/sci-fi panels) as well as a big turnout for literary guests. I was lucky enough to meet Patrick Rothfuss (The Kingkiller Chronicles), Kendare Blake (Three Dark Crowns series, Anna Dressed in Blood series), and Marko Kloos (Frontlines series) and get them to autograph their books for me. But while there, I attended the Making the Impossible Possible panel which focused on writing and worldbuilding for authors of fantasy and sci-fi.

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The following authors participated in the panel and gave great advice to aspiring fantasy and sci-fi authors: Charlie N. Holmberg (The Paper Magician series), Emily R. King (The Hundredth Queen series), Marko Kloos (Frontlines series), J.D. Horn (Witching Savannah series), and Jeff Wheeler (Legends of Muirwood series).

The format of the panel was the moderator, editor Jason Kirk, posed a total of six questions to the panel of authors. Keep reading to find out what was asked of these fantasy and sci-fi writers as well as to see what their responses were. I found their responses to offer great advice and writing techniques to better improve my own fantasy and sci-fi writing.

Question 1

Each author in this panel writes their own rules to govern the worlds they create. How does this work when the same rules don’t apply, even though you may be writing within a similar genre?

  • “You need to choose your main character as a one in a million type of person. You need to write your characters as the person who brings the magic to the world and not necessarily have been the chosen one.”
  • The general discussion around this question discussed how it’s important to have governing rules within your world, but to not let them overshadow your characters. Let your characters shine through in the world they surround themselves in.

Question 2

In Fantasy or Sci-fi we often find that the main character always tends to be exceptional. So, if no one is exceptional is there no story?

  • “In Sci-fi, you play within the confines of that structured society. Nobody is different from each other since they all have the same governing laws of physics and biology applying to them. So, the characters in this genre work within their existing system to prove their abilities or skills.”
  • The authors on the panel discussed how it would be even more interested to see more work of fiction in fantasy and sci-fi who fall out of the “exceptional” phase and are characters that work harder to prove themselves versus having everything be naturally gifted to them. It even makes the character more relatable to the reader, no more what fantastic setting the character may be placed in.

Question 3

Every author has their own writing process. Do you start with world-building or do you start with the character or the plot or themes?

  • “Start with the character, then the world becomes a crucible for them.”
  • “Your characters act depending on what the world is and the action or reaction they do becomes the plot.”
  • “Look for the tension, the drama. Ask yourself, why do we follow these characters? Why tell this story in the first place? First find the drama that the character will face.”
  • “If the world is complex enough, all these conflicts come up naturally and then the character, character’s motivation, etc. will follow.”

Question 4

Does your world need to be completely believable to make it work?

  • “As long as you don’t break the suspension of disbelief.”
  • “I can excuse sloppy physics [in Sci-fi] if the story, the plot, and the characters are absolutely believable.”
  • “It doesn’t have to be so much as believable as it has to be intoxicating enough to completely pull you in.”
  • “Don’t overdo the details to try to make it as ‘realistic’ and ‘believable’ as possible. Too much in the details can cause a big learning curve for your reader and can prevent them staying with your story.”
  • “Build the world and characters quickly so you hook the reader in. The strength of your story are your characters who provide the real emotions, real reactions the reader can connect to despite them being in an impossible world.”

Question 5

How do you solve your mistakes?

  • “Take a slice of humble pie from your critique partners.”
  • “Incomplete or sloppy world-building will lead to mistakes. If you ask, what does my character do now? Then you didn’t do enough world-building to throw enough cool things at your characters.”
  • The panel then gave examples from their own work where edits and proofreading provided great feedback for their novels in which they had to go back and rewrite certain parts to make the story turn out better.

Question 6

What tip do you have for aspiring writers?

  • “Think outside the box. It’s all about originality. Do something that’s less expected.”
  • “Don’t try to chase trends. Don’t write to market it. If the book is good, it’ll have its own market.”
  • “Just tell your story. Keep going.”
  • “The world around you can create something different. You don’t have to create something new, you just need to write it in a new way.”
  • “Read what you like to write. It keeps you immersed in your world. Steal little pieces of what you like and make them into your own.”

The panel was then opened to take questions from the audience. Here are a few of the questions that I found to have really good advice in their answers.

  • How do you build a society in your stories? This was answered in 4 parts.
  1. “Ask yourself, what type of government do you want? The kind of government you create governs the rules and freedoms your characters are subject to.”
  2. “What weird customs or traditions do your characters partake in? Create a history for each tradition.”
  3. “Everything is a result of what has come before. Make sure your society has a history.”
  4. “Do real research of Earth’s own history, then tweak it and make it your own for your story.”
  • How do you organize everything when you are working on a current novel?
  1. “You need a story Bible! It’s just 1 document where everything is stored and you can do a quick search.”
  2. “Use Scrivener. This allows you to keep you draft, research, notes, and edits all in one document.”
  • How do you write mundane tasks to make them see fantastic?

“Write characters’ reactions to that task. Like in Harry Potter, Harry thinks the dishes washing themselves in the Weasley’s house is magical and fantastic, but Ron just thinks it’s completely normal.”

This was such an amazing panel to sit on and I hope you found their advice to be inspiring and helpful to your own work. Below you can find the Goodreads page for each author named here so you can check out their work and get hooked onto some fun new series.

Kendare Blake

Charlie N. Holmberg

J.D. Horn

Emily R. King

Marko Kloos

Patrick Rothfuss

Jeff Wheeler

Book of the Month: A Gentlemen’s Guide to Vice and Virtue by Mackenzi Lee

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February is known as the month of love since Valentine’s Day falls in it. And what better book to pick for this special month than an LGBTQ, historical-fiction The Gentlemen’s Guide to Vice and Virtue by Mackenzi Lee. This glamorous book manages to fit the first-love of a young gay boy set in Europe in the 1700’s into an action-adventure story.

As the book jacket explains, “Henry “Monty” Montague was born and bred to be a gentleman, but he was never one to be tamed. The finest boarding schools in England and the constant disapproval of his father haven’t been able to curb any of his roguish passions—not for gambling halls, late nights spent with a bottle of spirits, or waking up in the arms of women or men.

But as Monty embarks on his Grand Tour of Europe, his quest for a life filled with pleasure and vice is in danger of coming to an end. Not only does his father expect him to take over the family’s estate upon his return, but Monty is also nursing an impossible crush on his best friend and traveling companion, Percy.

Still it isn’t in Monty’s nature to give up. Even with his younger sister, Felicity, in tow, he vows to make this yearlong escapade one last hedonistic hurrah and flirt with Percy from Paris to Rome. But when one of Monty’s reckless decisions turns their trip abroad into a harrowing manhunt that spans across Europe, it calls into question everything he knows, including his relationship with the boy he adores.”

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Set in the 1700’s, this novel somehow explores many modern-day themes and issues. In fact, I like the comparison of Monty’s grand tour year as the equivalent of the modern-day gap year young adults take after high school before embarking on their studies in college. This book also uses the historical setting to present modern-day themes that today’s YA genre would want to read in a book. These include child abuse (Monty’s relationship to his father, Lord Montague), alcoholism and gambling (Monty’s prolific lifestyle), racism (demonstrated through Percy being high-born yet also being a black character), disabilities (as seen in Percy’s epilepsy and the stigma that comes with his illness), sexism (Monty’s sister Felicity faces sexism as her gender undermines her intelligence and skills in medicine), and LGBTQ (which is illustrated in Monty’s sexuality and his crush on Percy).

I think what impressed me most about this book was how modern it felt within the constraints of the historical narrative structure. I really enjoyed the setting, it gave a fresh take on the similes used in the novel. Sometimes, after reading page after page of YA, you can come across a lot of the same metaphors and similes, but due to this novel’s setting I felt like I was coming across new comparisons that showed off Lee’s writing skills yet perfectly tied into the world-building of this story. It adds this charming, glitzy, old-world glamour feel into it.

The other great thing about this book is how it feels like it’s a little bit of everything – romance, comedy, action, adventure, murder-mystery, historical-fiction, and gay/LGBTQ. And if you like books that travel to other countries, then I highly recommend getting the audio book version of this novel. I listened to this book as an audio book and the voice actor did such a fantastic job at creating these authentic accents for all the various characters ranging from British to French to Spanish accents was just amazing and delightful to hear.

If you are a fun of captivating characters, then Monty is the right guy for you. Lee created such a strong, unique voice in the character of Monty. She manages to capture this entitled, sassy teenage voice right from the beginning while simultaneously making you like it. But this only makes it so much more wonderful for the reader to see Monty’s transformation from the exploits and troubles he endures along the way.

If there is one thing I would critique, it happens to be something that also ends up working in favor for the novel’s plot. I thought the grand tour would be more of this glamorous trip but ended up being a fleeing escape since they are on the run and less of a tour. I felt disappointed because it wasn’t what I had expected, however it also worked in favor of the reader because there was no guessing where this story was going. I had absolutely no idea what was going to happen next and I couldn’t ever guess the next thing that would happen. It felt truly unpredictable in the adventure/action portion of the plot, yet the romance side of it however was plenty predictable but in a good, happy-ending kind of way.

If you are in need of some good humor, some witty banter, and fun all-around then this book should definitely be on your To Be Read list.

4 Ways Audio Books Can Transform Your Day

 

audioBook1Saying audio books are better than printed hardbacks/paperbacks can easily be damning in certain circles. But before you click away, just hear me out. Do you ever find yourself not having any spare time? Let alone, time to sit down and enjoy a good book? When I’m having a busy work week it’s nearly impossible to fit in an hour or so to open up a book.

My New Year’s goal is to read at least one chapter a day. But by the third day in January, I was failing to fit in my chapter a day. Then I discovered the audio book section in my local library. Normally, these can be pretty pricey, especially if you get the CD format instead of the MP3 drive version, but both of these beauties are completely free with a library card. And I was pleasantly surprised to find a varied mix ranging from current bestsellers to the classics.

There are many ways to use audio books if you think you don’t have enough time to fit reading into your schedule. And whatever genre you are interested in, there’s an audio book for that. Need self-help or motivation books. Check. Want to read a suspenseful thriller? Check. Or, need something with a little romance? Check, check check.

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One great use of an audio book is to listen to it on your daily commute to work. A 20-30 minute drive can turn into 40-60 minutes of reading (or listening to) a book a day. And with the right book, your daily commute will become more enjoyable.

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My second favorite way to listen to an audio book is to download it onto my phone and plug in my headphones and listen to it while I walk my dog. My library has MP3 digital audio books available to download, but you can also try Amazon or Audible to find any book you want to listen to in a digital download format. I try to walk my dog everyday for 20-30 minutes, so this is just another way I squeeze in more reading.

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Also, another great thing about the digital download of an audio book on your phone is that wherever you go your book will be right there with you. For example, if you have to go to appointments where you have to wait, like a doctor’s office, then this is just another way to squeeze in more reading and pass the time.

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A fourth way to incorporate an audio book into your daily life is to listen to it while doing chores or errands. I think I can say that no one looks forward to doing chores, however listening to an audio book helps me get them done with less complaint. I simply download the book on my phone, plug in my headphone, and I’m off to wash dishes or vacuum.

While I love having the feel of a paperback in my hands, right now with my schedule, audio books are a life saver and they help e enjoy many parts of my day.

The Perfect Book and the Perfect Night in on Valentine’s Day

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This Valentine’s Day, my husband and I will be taking a break from the hoopla that is Valentine’s Day. So, instead of putting pressure on each other with gifts and dinner reservations, we’ll be staying in and hanging out at home. And if you find yourself at home too, then I have the perfect book to keep you company, because who needs a Valentine when you have the perfect book.

Tucker Shaw’s Oh Yeah, Audrey! is a well-written easy read that pairs Audrey Hepburn’s most infamous character Holly Golightly from Breakfast at Tiffany’s with your inner fangirl in this sparky and delightful novel.

Breakfast at Tiffany's

Just as the book jacket states, 16-year-old Gemma Beasley runs away to New York City for 24 hours to meet up with other Holly/Audrey fans to see a special anniversary screening of Breakfast at Tiffany’s. But best laid plans can and do go awry when Gemma gets swooned off her feet by a real-life Paul Varkjak. Gemma lives her New York minute life by following the mantra of “What would Audrey do?” but ends up in situations closely similar to Holly, where she ends up around suspicious people with questionable motives.

I absolutely loved Gemma and her reactions to the things going on around her. It felt completely authentic and very relatable. I was a little disappointed in the fact that it’s set in only 24 hours. This led to little character development, especially all of Gemma’s friends and Gemma’s love interest. Because of this, some characters felt like clichés, like the fabulous gay best friend and the entitled rich-boy who thinks he can buy a girl. Actually, that last character bothered me a lot because the novel shows him genuinely pursuing Gemma. I mean, why bother having him spend month after month having hour long phone calls if all he wanted was sex? This character just didn’t add up to me.

But, nonetheless, this novel successfully delivers a story about friendship and about Gemma finding herself while paying tribute to Audrey Hepburn’s Holly Golightly.

Like I said before, this is a fast read and can easily be read in a day. So, I recommend watching Breakfast at Tiffany’s (available on Netflix) to better understand all the book’s references. For Valentine’s, all you need is a fabulous evening. Whether you inhibit your inner Holly Golightly by wearing a black dress, black opera gloves, pearls, with a coffee and croissant in your hand, or you stay home in pajamas cuddled up with a book on the couch with a glass of wine, just remember that this Valentine’s Day can still be fabulous darling.

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And if you stay in and find yourself reading this book, just remember Holly Golightly’s advice, “A girl doesn’t read this sort of thing without her lipstick.”

What the Valley Knows Book Review

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Everyone knows the old saying, “don’t judge a book by its cover,” but I hardly live by that rule. We’re all guilty of it. We see that beautiful book cover and maybe, probably, just buy it based on its aesthetic and not the actual content of it. And of course, we are guilty of doing this, the marketing team in publishing houses are banking on you to do this. But, another thing I judge a book on is its book jacket summary. This is the hook, the promise the author offers the reader. And to be honest, this book’s pitch didn’t entice me at first, which is seen below.

“When smart and pretty Molly Hanover moves to town and attracts the attention of the football team’s hero, Wade Thornton – a nice guy with a bad drinking habit – longtime friendships are threatened, and a popular cheerleader tries to turn the school against Molly.

“The young couple’s future is shattered when Wade, drunk, wrecks his truck and Molly is thrown through the windshield. She wakes from a coma to find her beauty marred and her memory full of holes. As she struggles to heal, she becomes sure that something terrible happened before the accident. And there is somebody in the valley who doesn’t want her to remember.”

There is absolutely nothing wrong with that plotline, but since I’ve lived in small towns and understand the dynamics of a community like that, I wasn’t too eager to revisit that. But as I do with all books, I read the first page to give it another chance and see if I like the voice and/or writing style. And man, oh man, is that first page one of the most gripping things I’ve ever read. It starts right in the middle of all the action, which in this case is the accident.

And as I kept reading, the overall pace felt natural and the plot kept moving in an interesting direction towards that dark secret mentioned in the summary. Heather Christie’s writing style was what kept me captivated the entire time – it’s elegant enough to feel like I’m reading adult fiction, yet it connects on a deep level to the actual mindset of a teenager. She also does a wonderful job of handling the superficial aspects of high school problems such as beauty and popularity while simultaneously diving into the underlying theme of healing in the form of substance abuse recovery, healing from a car accident, and healing from ‘something terrible [that] happened before the accident.”

I wish the later form of healing was more drawn out in the novel, but instead it was curtailed in favor of Molly and Wade’s relationship. This wasn’t necessarily a bad move, however, it left me wanting more about Molly’s recovery from that specific incident. I’m not mentioning this incident because I don’t want to give away any spoilers. In general, I think giving away spoilers are such a no-no because someone worked very hard to make sure it gives the element of surprise, and nothing’s worse when that surprise has already been ruined before the reader got a chance to read the book.

Overall, this book was way more in depth than what I had initially expected it to be. I’m so glad that first page hooked me in and I gave it a second chance because it has become one of my favorite YA reads this year.

5 Things I Learned at Writer’s Digest Conference 2017

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  1. Stick To Your Story

It’s easy to get caught up in your writing and naturally drift away from the heart of your story as you start to navigate the world you are building. But, is everything you’ve written related to your story, at the heart of what you are trying to write? Or, are you just writing it and keeping it in your story because you’ve written it, regardless if it fits the story or not. I guess, as Hemingway says, this is the part where you must kill your darlings – delete anything that’s excessive or unnecessary to your story, which is probably the hardest thing to do but is also the most important thing you can do for your writing. But sticking to the story not only applies to your short story or your novel but also relates to your query letter. Don’t go on and on about your book, your experience, your credentials, etc. Stick to the story by only giving the agent/editor the first act of your novel. Give them enough to know what your book is about but leave them wanting for more. It’s not easy to make a perfect pitch, but aim for 50-100 words, because as I learned from agent Janet Reid, the whole query letter should be less than 250 words. So, stick to the story.

  1. Raise the Stakes

This was something new I learned at the conference about how to keep the story going and alive throughout your novel. Always put in conflict, especially at the beginning. If your beginning doesn’t have a type of conflict (emotional/physical/spiritual) then that’s not your beginning. Keep writing until you get to that point of conflict/crisis where your character must make a choice/ a decision about what they are dealing with – that’s your beginning. To make your story feel like a page-turner, throw in conflict every 20-40 pages to either add more conflict to your character’s journey or to raise the stakes for their current dilemma. As Laura DiSilverio said, work with the “what could be worse?” mindset. You must be willing to make your character’s lives miserable. To increase conflict in your novel, make sure to define your protagonist’s goals/needs in each scene, provide opposition to these goals, give the illusion of progress, surprise with setbacks, and when that’s all done then think “what could be worse?” You’ll be surprised with what you may come up with.

  1. Revise in Layers

This seminar by Gabriela Pereira has forever changed my outlook on the revision process. I felt like I have been editing my novel/work wrong my whole life, until now that is, which is why I’m sharing this process with you because I’m sure it’ll change the way you think about revisions and edits too. Instead of going through your manuscript one page at a time and tinkering with little changes, you need to revise your manuscript multiple times but each time only focusing on one thing. First, focus only on narration: can you distinguish between the narrator and characters? (The answer is yes; you should, even for 1st person) Is your voice consistent or does it change from scene to scene /chapter-to-chapter? Next, focus on just the characters: is it clear what protagonist wants/needs? Is your protagonist making choices, or do they seem more reactive than proactive? Then, focus just on the story: do you know where your characters are heading? Is that clear? Does your story rush up at the end in a giant rush with little room for closure? Next, focus only on the scenes: do they all relate to support the overall theme? Does the story feel real? Is there too much description? Is dialogue flat or does it ring true? And for the last layer of revision, focus only on the details: can I express concept/scene in a better way? Did I use right word/sentence structure? Are there typos/errors? It’s a lot to look over, but I feel that after doing this process of revision, your story will be as thorough as you want it and as clearly written as it is seen in your head.

  1. Never Give Up

One thing all our keynote speakers emphasized was to keep going with our writing and to keep being persistent in publishing our books. One of my new favorite writing quotes came from Pulitzer Prize winner, Richard Russo when describing how to keep writing when you feel like giving up: “Every time you think the tank is empty, (you’ll find) the writing was putting more gas in the tank.”

  1. Make Friends/ Contacts

The orientation at WDC17 encouraged us to go from introverted writers to extroverted social net-workers. And, in doing so, I feel that I have made great contacts with wonderful writers who get the difficulties of the writing process and truly understand the writing journey of taking ideas and voices in your head and creating worlds out of them onto paper. So, I’ve learned it’s really important to be engaging with fellow writers and hopefully you can be each other’s critique partners and/or beta readers in the future.

Top 5 Comic Book Series/Graphic Novels

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With Comic Con in San Diego less than a month away, I am excited for all things nerdy – cosplay outfits, superhero movie panels, and, of course, comics! I am lucky enough to be attending Comic Con San Diego this year, so stay tuned to keep posted. I will have many posts coming soon about making cosplay outfits and accessories, comic book lists and recommended reads, as well as reviews of the panels that I plan on attending. But, until the end of July rolls around, I’ll probably be focused on making cosplay costumes (can you guess who I’m going as?) and reading as many comics and graphic novels I can get my hands on. So, in the spirit of Comic Con, I thought I’d make you a list of my top five favorite reads for whether you’re new to comics or you are the comic-obsessed veteran. I know comics can sometimes be pricey, so if you can’t afford them then I suggest checking out your local library because they have many comics/graphic novels in circulation. So, I hope you enjoy reading these as much as I did.

watchmenWatchmen by Alan Moore and Dave Gibbons

There’s a really good reason why this is the only graphic novel to make Time Magazine’s “100 Best Novels” list. It’s simply genius with the double story-line and the amazing world building developed not only through the plot, but through the end-of-chapter-segments ranging from newspaper clippings to adverts. It’s so immersive, I bet you won’t be able to put it down once you pick it up.

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Saga by Brian K. Vaughan and Fiona Staples

This on-going series is an epic space opera fantasy (have I caught your attention, yet?) depicts a husband and wife, Alana and Marko, from long-warring extraterrestrial races, fleeing authorities from both sides of a galactic war as they struggle to care for their daughter, Hazel, who is born in the beginning of the series and who occasionally narrates the series as an unseen adult. It’s refreshingly humorous and seriously addictive.

lazarusLazarus by Greg Rucka and Michael Lark

This dystopian science fiction comic book series depicts the world divided among sixteen rival families who run their territories in a feudal system. The main character is Forever Carlyle, who is the military leader for the Carlyle family. With the themes of family and loyalty ever present, this story’s amazing world building is similar to Watchmen’s. Also, it’s currently in the works to be adapted for television. So, make sure to read it before it becomes one of the coolest and most badass show on TV.

the wicked and the divineThe Wicked + The Divine by Kieron Gillen and Jamie McKelvie

This series is a contemporary fantasy comic book that is largely influenced by pop music and various mythological deities. Imagine gods as rock stars. The narrative follows a young teenage girl, Laura, as she interacts with the Pantheon, a group of twelve people who discover that they are reincarnated deities. This discovery grants them fame and supernatural powers, with the stipulation that they will die within two years – part of a ninety-year cycle known as the Recurrence. This series will make you laugh out loud as well selecting your favorite god to root for.

DescenderDescender by Jeff Lemire and Dustin Nguyen

This series follows a young robot’s struggle to stay alive in a universe where all androids have been outlawed and bounty hunters lurk on every planet. In this cosmic odyssey, is pitted humanity against machine, and world against world, to create a sprawling space opera. Plus, the unique illustrations and coloring (resembling watercolor) give a fresh appeal to the story.

 

Book Review: Draw the Line

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After attending the gay pride parade in my town (Olympia, WA), I can say that I am newly reinvigorated with such optimism, hope, and love, that can only come from the LGBTQ community. And in honor of this beautiful spirit, I wanted to review one of my favorite YA books whose main protagonist is a gay, seventeen-year-old artist living in Texas. That book is none other than Laurent Linn’s Draw the Line.

I feel like this book is very underrated and under the radar since I hadn’t heard of it before I found it on the shelves of my library. But, do not overlook this novel. It truly is a hidden gem in the YA genre.

The main character, Adrian, makes such an adorkably cute narrator. With all his nerdy references, Adrian navigates high school by being the class introvert and a talented artist. He stays in the background, until he witnesses a hate crime that pushes him forward, to the point where he cannot remain invisible anymore and he has to step forward and do something about it. Linn wonderfully details high school life with descriptions that are so relatable that almost anyone can see themselves as Adrian. Such as:

“To a gray T-shirt, I added faded jeans, cheap old sneakers, and a gray hoodie … my almost perfect cloak of high school invisibility” (5).

Or, here’s an example of the classic teenage insecurity and doubt that I’m sure all of us have experienced at one time or another:

“Hey, yeah, it kinda works. Oh, god, no it doesn’t” (3).

If you can’t quite relate to the introvert, fly-on-the-wall aspect of Adrian’s personality, then you can easily enjoy the nerdy pop-cultture references. Such as:

“Help me, Obi-wan Kenobi, you’re my only hope. Oh, yes, I pray to Obi-wan” (8).

And, as if you need another reason to pick up this book, Mr. Linn illustrated all the comic panels that Adrian draws in the novel. How awesome is that? Not only can Linn write such an amazing and honest voice that details the high school experience, he can even draw amazing comics!

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Here are some of the comic panels from the novel. Adrian draws upon his life to create his superhero alter ego, Graphite. The comic panels work wonderfully in illustrating Adrian’s thought process after certain events take place. These reflections add so much depth and understanding to the story’s plot. It also helps the reader process the events that take place, so much so that I wouldn’t want to read this novel without them.

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As you can see, I have mad-love for this book. And I think you will enjoy it just as much. So, make sure to check out this book, which dives into the theme of accepting the LGBTQ community in a funny, charismatic way.